Notes from the margins of Welsh popular culture
Christ Carrying the Cross caused a sensation at the 1953 Royal Academy exhibition. It depicted Jesus Christ carrying the cross up Constellation Street, Adamsdown, Cardiff. It was painted by 21-year-old Roath artist Jeffrey Steele. Because his studio was situated in Metal Street, Adamsdown, he decided to include local characters and landmarks in his artwork. Bookies, shop-keepers, and the Lord Mayor were all clearly recognisable.His style was strongly influenced by Stanley Spencer and he even once made a trip to Cookham to visit the famous artist. But Steele knew he had to find his own style. He destroyed his follow-up painting Palm Sunday in Adam Street using a razor blade, having made the drastic decision to completely change artistic direction. Steele was a bit of a rebel.He became an artist against his parents' wishes. He dropped out of Cardiff College of Art because he didn't like their teaching methods and instead worked on his own at Newport Art School. The tousled-haired artist also objected to military service so had to spend a couple of years working as a hospital porter.In 1959 he earned a scholarship to Paris where he came into contact with the work of Vasarely, Albers and Soto. By the time he returned to Cardiff he had given up representational art altogether. During the early Sixties he was producing two-tone, two dimensional work, influenced by mathematics. His Op Art induced the viewer to make kinetic movements when confronting his work. Viewing became an act of will rather than a passive response.
posted by Anthony Brockway at 10:09 AM
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